“After our work on setting gems in Carbon TPT, we wanted to extend this innovative setting technique to new materials,” explains Cécile Guenat, technical director for jewellery-making at Richard Mille.
“We naturally gravitated to ceramic, because it had never been done before. There is now no subterfuge in the way diamonds are incorporated, thanks to way the mitraillage is performed by machining the material directly.”
Separately produced, and carefully polished to ensure a perfectly even feel, red gold prongs are embedded in the many settings, each 0.25 millimetre in diameter, receiving and holding fast the diamonds placed by the gem-setter. These are full-cut stones, selected for their exceptional clarity. The velvety black of the ceramic and the sparkle of diamonds set each other off spectacularly.
The case in gem-set black ceramic and red gold houses an in-house Calibre CRMA2, an automatic movement assembled on a baseplate and bridges crafted in grade five titanium. Its variable-geometry rotor in 18-carat 5N red gold makes it possible to adjust the automatic winding to the activity levels of its wearer. At the heart of this calibre, the dial in 5N red gold set with black onyx and diamonds sits like a discreet echo of the technical feat displayed by the bezel.
Richard Mille combines diamonds & ceramic in a piece of seriously glam tech
On your marks, gem-set, go for black with this new beauty from the Richard Mille ladies’ collection
Image: Supplied
Who says ladies don’t also fancy a slice of the high tech Richard Mille action?
With a wide range of models already available, the Ladies’ collection at Richard Mille is adding to the variety of materials, gem settings and bracelets with a new design: gem-set ceramic.
With this unprecedented marriage of diamond and black ceramic, Richard Mille demonstrates its determination to develop designs for women who are as fascinated by technology as by beauty.
In addition to its exceptional hardness and scratch resistance, the black TZP ceramic possesses an extremely fine grain, ensuring a perfect finish with a matte effect. The latter is the outcome of a long and delicate process of milling and micro-shot peening, whereas showcasing the complex shapes of the bezel and case bottom requires the intervention of a finisher, who polishes each angle by hand.
Never before seen: Richard Mille and Alain Prost's RM70-01 watch
“After our work on setting gems in Carbon TPT, we wanted to extend this innovative setting technique to new materials,” explains Cécile Guenat, technical director for jewellery-making at Richard Mille.
“We naturally gravitated to ceramic, because it had never been done before. There is now no subterfuge in the way diamonds are incorporated, thanks to way the mitraillage is performed by machining the material directly.”
Separately produced, and carefully polished to ensure a perfectly even feel, red gold prongs are embedded in the many settings, each 0.25 millimetre in diameter, receiving and holding fast the diamonds placed by the gem-setter. These are full-cut stones, selected for their exceptional clarity. The velvety black of the ceramic and the sparkle of diamonds set each other off spectacularly.
The case in gem-set black ceramic and red gold houses an in-house Calibre CRMA2, an automatic movement assembled on a baseplate and bridges crafted in grade five titanium. Its variable-geometry rotor in 18-carat 5N red gold makes it possible to adjust the automatic winding to the activity levels of its wearer. At the heart of this calibre, the dial in 5N red gold set with black onyx and diamonds sits like a discreet echo of the technical feat displayed by the bezel.
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